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Join Us for the 10th Annual Johnnie Johnson Festival
July 15-17, 2011 |

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The 2011 Johnnie Johnson Festival Acts to be announced: |
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Festival
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| 2011 Concert schedule |
Friday Night:
Daryl Davis 6:30-7:30
KWT Blues Band 7:30-8:30
Roddy Barnes 8:30-9:30
Paul Geremia 9:30-10:30Special Tribute 10:30 |
Saturday:
Gypsy Davy 11:00-12:15
Roddy Barnes 12:30-2:00
KWT Blues Band 2:00-3:30
Paul Geremia 3:30-5:00
Stable Roots 5:00-6:30
Daryl Davis 6:30-8:00
Corey Harris and the Rasta Blues Experience 8:00-10:00
Special Tribute 10:00 |
Sunday Afternoon:
Roddy Barnes 11:00-12:00
Daryl Davis 12:00-1:00
Corey Harris 1:00-2:15
Stable Roots 2:15-3:45
Kenton Blackwood 3:45-4:15
Gypsy Davy 4:15-5:15
Paul Geremia 5:15-6:15
Bill Stalnaker and Nightmoves 6:15-7:15 |
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Weekend Pass: $30
Daily Prices: Friday--$10, Saturday--$15,
Sunday--$10
Children under 12 Free when Accompanied by Adult.
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| Info Line: 304-363-5377 |
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JOHNNIE
JOHNSON: 1924-2005
The Annual Johnnie Johnson Blues
& Jazz Festival has become
a summer tradition! |
Join
us in Johnnie's hometown of
Fairmont, West Virginia, as
we pay tribute to the Legendary
Johnnie Johnson! It was one
of Johnnie's dreams that the
festival named in his honor
would become yet another part
of his amazing musical legacy.
National recording artists,
as well as local and regional
musicians have graced the
festival's stage. This year
is set to be another winner,
with some truly talented musicians
already booked, and more to
be announced! |
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An authentic voice and an eclectic vision," The San Francisco Bay Guardian
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Corey Harris |
| Official Site |
Corey Harris is a guitarist, songwriter, and performer who is leading a contemporary revival of country blues with a fresh, modern hand. He is a powerful and compelling singer and an accomplished guitarist whose musical artistry is complemented by serious explorations of the historical and cultural conditions that gave rise to the blues. He demonstrates his respect for the past and his mastery of the Mississippi Delta blues tradition by interpreting the songs of early blues luminaries in new ways, while also creating an original vision of the blues by infusing his music with a broad range of sounds and styles. Beginning with his 1995 recording Between Midnight and Day, Harris has explored acoustic, rural blues styles with increasing success. Subsequent recordings, such as Greens from the Garden (1999), Mississippi to Mali (2003), and Daily Bread (2005), reflect Harris’ reinterpretations of the African influences on American blues through ethnographic research and musical collaborations in Mali, Guinea, and elsewhere. He has demonstrated the boundless expressive power of blues music by weaving traditional styles together with elements from jazz, reggae, gospel, and African and Caribbean folk music. Maturing from interpreter to creator, his imaginative compositions spark renewed interest in the musical potential of the blues. Sometimes forgoing the traditional 12-bar structure and mimetic repetition common to most blues music, Harris forges an adventurous path marked by deliberate eclecticism. With one foot in tradition and the other in contemporary experimentation, he blends musical styles often considered separate and distinct to create something entirely new for the 21st century.
In 2007, he was awarded a $500,000 MacArthur Fellowship – commonly referred to as a “genius award” – from the John D. and Catherine T. MacArthur Foundation. The annual grant, which recognizes individuals from a wide range of disciplines who show creativity, originality and commitment to continued innovative work, described Harris as an artist who “forges an adventurous path marked by deliberate eclecticism.” That same year, he was also awarded an honorary Doctor of Music degree from Bates College, his alma mater in Lewiston, Maine. |
Stable Roots is a core of international musicians brought together to create a sweet reggae sound. Stable Roots members have traveled all over the world spreading the message of unity through reggae music. Stable Roots is an accomplished backing band and its various members have traveled far and wide with numerous international and national tours and acts. Stable Roots have the ability to play any form of reggae today and by being a backing band, Stable Roots repertoire is very diverse. Stable Roots plays music from a wide variety of the reggae community such as Bob Marley, Peter Tosh, Dennis Brown, Luciano, Buju Banton, Culture and many others as well. Stable Roots will professionally reproduce any Artist's original material.
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| Roddy Barnes |

"He's like the Bruce Springsteen of boogie woogie . . . He's a man in the grips of a sensual hankering that hardly allows him a breath between the long, languid lines of his blues . . . He keeps stirring up desire until it builds to the emergency condition of "Call 911," as deadly humorous a boogie as any Long-Tall You-Know-Who ever put down." - J.D. Buhl, "Holy Soul Piano Roll," Kansas City's The New Times

“With his powerful piano style, and his world-weary, yet playful, vocals, I feel as if I’m time-traveling back to a juke joint in the 20’s on the old-timey feel of his music… He’s truly a blue-plate special in the world’s musical diner…eat him up!” Andra Faye, Alligator Records
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| www.roddybarnes.com |
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Roddy Barnes was born in 1963 in Blanchard, Iowa, a small rural farm town of around 100 people. His parents, Kenneth and Carol Barnes, were pig and grain farmers and some of Roddy's first memories were of many hours in the bean fields, pulling weeds. To amuse himself, Roddy would make up songs as he worked - the start to his musical creativity.
His first musical influence was church. Roddy's parents had an old upright and at age four, he began picking out hymns. Singing was also a strong passion and his first solo, "Jesus Wants Me for a Sunbeam," he performed at age five. His first music gig came at age 15 where he played and sang in a local hotel, "The Walnut Inn" in Tarkio, Missouri.
In high school, he was awarded Musician of the Year three consecutive years, the Chopin Award and the John Philip Sousa Award both two years straight, was a member of district and state band and district chorus. He received #1 ratings at the state level on solo piano, trumpet, and voice. In 1979 as a high school sophomore, he was accepted into the the United States Collegiate Wind Band which performed in New York, England, Germany, Italy, Switzerland and France.
In 1981 Roddy was awarded full scholarships to both Missouri Western State College and Kansas University. He chose MWSC. While in college, he studied classical piano, trumpet, voice, composition and theory. As a composer, he wrote an original score for "Death of a Salesman" performed at the Missouri Repertory Theatre. He also composed music for a commercial about safe sex and scored a short film. He was awarded a grant to the Aspen Music Festival where he studied under world-renowned pianist Rita Sloan-Gottlieb.
After receiving his B.A. in Classical Performance in 1988, he was awarded a scholarship to study in France under Francois Rene Duchable. While in France, he performed in blues clubs in several French cities. He was featured in a French paper called "Le Dauphine" where, it read "(he) has conquered by his talent all the music lovers of the city of the Ducs."
In 1990, Roddy applied for, and received, a scholarship to the Berklee School of Music in Boston, Massachusetts. Along with his studies, he performed blues throughout the city. Roddy returned to the midwest in 1992 and recorded his first album, "Roll with the Punches," in Kansas City, MO.
New Orleans lured him south where he was able to perform 10 gigs a week. Some of the more notable venues were Tipitinas, Maxwells Toulouse Cabaret, and The Common Ground. While in New Orleans, he recorded three more CDs -- "Unseen," "Betrayed," and "Blues Boogie and Soul." From his "Betrayed" CD, his composition, "Because of You," was recorded by the international blues act, Saffire - The Uppity Blues Women, on Alligator Records.
To advance his career, Roddy moved to Austin, Texas in 1996. He was a monthly feature on John Aielli's "Ecclecticos" on KUT radio showcasing his original songs. He also recorded his 5th CD, "Broken Wing." From this CD, another of his compositions, "Let the Gin Do the Talking," was covered by Saffire.
2004 finds Roddy in Richmond, Virginia, to collaborate with other artists. Two songs from his 6th CD, "Ballads and Barrooms," are being covered by blues artist Ann Rabson on her solo recording. (Ann is a founding member of Saffire.) The Saffire connection continues as Roddy works with another founding member, Gaye Adegbalola, performing classic blues - blues mainly from the 20's and 30's by divas such as Bessie Smith, Alberta Hunter and Ma Rainey. Further, Roddy works with Filipe Rose (the Indian of the Village People) doing musical compositions, arrangements and accompaniment. He also continues to perform solo.
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"Whether a searing Blues or a pounding Boogie Woogie, Daryl practices what he preaches; to make his audience happy. 'American roots' signals the arrival of a major blues voice".
–Barry Lee Pearson
Living Blues Magazine |
Daryl Davis |
| http://www.daryldavis.com/ |
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Daryl Davis earned his Bachelor of Music degree from Howard University, where he was a member of their famed Howard University Choir and renowned Jazz Vocal Ensemble. In addition to being a vocalist, guitarist, composer and keyboard extraordinaire, Daryl is a professional actor and author.
In 1985, 72 year-old Pinetop Perkins, one of the founding fathers of Boogie Woogie and considered to be one of the greatest Blues and Boogie pianists, selected 27 year-old Daryl Davis to succeed him in the piano and vocal slot of the Muddy Waters Legendary Blues Band.
Johnnie Johnson, Chuck Berry's original pianist, has praised Daryl's ability to master with authenticity, a style that was popular 30 years before he was born!
As a performer, Daryl Davis has worked with countless greats such as Elvis Presley's Jordanaires, The Coasters and he is a long-standing, regular player, in Chuck Berry's current band. He was the featured pianist on Cephas & Wiggins' 1992 Grammy Award winning album, Flip Flop and Fly.
As a composer, in addition to his own hits Boogie Man and Broadminded and many other originals, Daryl scored the music to the popular children's story, Abigail.
After having been with so many others helping them to do their thing in nightclubs, concert halls, festivals, recording, films, radio and television, from the United States to Europe, don't miss seeing Daryl Davis with his group doing his own thing!
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Paul Geremia |
| Official Site |
For almost forty years, Paul Geremia has survived solely by the fruit of his musical labours. Having abandoned all other means of support in 1966, he has been travelling far and wide ever since, performing in every capacity from street singing to club and concert bookings, throughout the U.S.A., Canada and Europe.
In the years since, Geremia has built a reputation as a first rate bluesman, songwriter, a "scholar" of early jazz and blues, and one of the best country blues fingerpickers ever with his tools - six and twelve-string guitars, harmonica, piano and a husky soulful voice - and with an innate sense of the humour as well as the drama of the music, he keeps traditional blues fresh and alive with his performances.
Combining his interpretation of the earlier music of people like Blind Lemon Jefferson, Robert Johnson, Blind Willie McTell, Scrapper Blackwell and Blind Blake, with his original compositions, he has created a style which is very much his own and which has received accolades in the U.S.A. and Europe, too numerous to mention.
Geremia's background isn't typical for a bluesman. He is a third generation Italian-American who, as he laughingly puts it, "was born in the Providence River Delta". Growing up in a family that moved across the country and back numerous times weaned his appetite for music, history and travel, which served him well later on.
During the sixties, Paul noticed that the music he had enjoyed playing on harmonica (his first instrument) was now referred to as "Folk Music" and was enjoying popularity. During his short time in agriculture college, he was mostly occupied with learning guitar and hitch-hiking to where the music was. He soon left college and hit the road permanently. He found paying gigs in coffee houses and "basket houses" in cities and at college campuses and made occasional forays South and West in search of the music he loved and what gigs he could find.
During these years, Geremia crossed paths with people whose influences were beneficial to his development and understanding of the tradition. He worked as opening act for some of the early blues "legends" thereby gaining an immeasurable depth of knowledge from people like Babe Stovall, Yank Rachel, Son House, Skip James, Howlin' Wolf, and many others, especially Pink Anderson whose career he helped revitalize.
Geremia has recorded ten solo albums, and has appeared on numerous anthologies and compilation discs. His superb recordings have made him a critical favorite and place him firmly among the legends who inspired and influenced him over the past four decades.
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